Music in the English Speaking Caribbean Featuring Olive Walke

Olive Walke (1911-1969)


    Olive Walke was an internationally educated, accomplished, and prominent musical figure from Trinidad and Tobago. Her love for folk music drove her to collect Folk songs from rural areas, and deliver them to urban areas to be acknowledged and celebrated. During her musical endevors, Walke not only provided a platform for young musicians to perform, but she founded the famous choir, "La Petite Musicale" which performed many of the folk music in Walke's collection. Walke would later join the ranks of politicians, leaving behind her collection of folk music in the book "Folk Songs of Trinidad and Tobago," by Boosey and Hawkes as a gift to the music world.
    This blog is a music playlist of a selection of songs connected to Olive Walke in some way. As Olive Walke's passion was to collect and preserve folk and calypso music, this playlist showcases a selection of songs which relate to Calypso music, or are themselves, Calypso music. Most of the songs in this selection share similar instrumentation. Some songs contain serious lyrics wrapped in light hearted and upbeat musical accompaniment. Some songs share the element, Call and Response. All of these traits lend to the Calypso genre and ultimately points to Olive Walke passion.

Olive Walke- Zingay


Up first in this playlist is a song Olive Walke's "Zingay" which is was performed by her choire, "La Petite Musicale. " This song has gained popularity In the beginning of the song the listeners are immediately greeted by stringed instruments and what sounds like a wooden idiophone (castanets I presume). Drums are also very prominent in the song. Zingay’s lyrics seems to be expressing discontentment or hypocrisy that can exist in some churches. The musical arrangement, and instrumentation selection cleary distinguishes the piece as a calypso  song. A spirited Calypso song. 

 

 

Calypso Rose- Calypso Queen


Second on the playlist is "Calypso Queen." This piece is related to Olive Walke through its Calypso genre which appears in many of  Olive Walke’s works. With that said,"Calypso Queen" can be compared to "Zingay" because the first instrument heard at the beginning of both songs is what sounds like castenets, or some other wooden idiophone. In "Calypso Queen," brass instruments are heard almost immediately. Listeners can also here the guitar and the drums "Calypso Queen." Lyrics speaks to the then sexism of the music industry where women’s musical works were underrepresented and their accomplishments not respected. Calypso Rose expresses this sentiment in the chorus: “Instead of respecting mi long long reign, they (men, it is presumed) making plot to take down mi name.”

 

 

George Symonette – Don’t Touch Me Tomato


Next on the list is George Symonette’s “Don’t Touch Me Tomato.” This piece is related to Olive Walke because like the "Calypso Queen," it is Calypso through and through. It sounds like a kind of wooden idiophone (which can be heard in the first second of the song)  is a part of the percussion instruments, along with the drum instruments and maracas. There are also stringed instruments and a playful and upbeat piano which plays a solo. Similar to “Zingay,” the lyrics of this piece is encrypted with symbolism and may be addressing a controversial issue behind the entertaining and up beat melody of the song.


Blind Blake-Alphonso – What a Pain I Got

Time stamp: 5:15

 


Alphonso Higgs is a Bahamian given the title Blind Blake after the famous American Jazz artist. Blake’s song, “What a Pain I Got” is similar to some of Olive Walke’s works because the verses are arranged as call and response. This makes the lyrics sound repetitious similar to Olive Walke’s “Every time ah pass” and “Zingay.” “What a Pain I Got” introduces the sounds of brass instruments at the beginning of the song. Stringed instruments can be heard throughout the song. However, the song also features electric instrumentation at some point. So, it relates to Olive Walke’s works, but it also distinguishes itself, through modern instrumentation



Charlie Adamson- Bangalee

 

More than Blind Blake’s “What a Pain I Got,” the song Bangalee by Charlie Adamson adheres to the calypso style. The listeners are greeted with the strings and percussion instruments, which again, relates to some of Olive Walke’s works. Percussion instruments include idiophones that are shaken and struck, and drums, all of which are typical found in calypso music. Bangalee is entertaining and dance-provoking, despite the heaviness of the lyrics which shines a light on the tragic fate of some relationships. The fusion of entertaining accompaniment and satirical lyrics is also characteristics of calypso.

 

Benjamin Bindley- Santa Looking for a Wife in St Thomas Virgin Island



Benjamin Bindley’s Santa Looking for a Wife, is entertaining and up-beat. The piece is related to Olive Walke’s works in the sense that it has many elements of Trinidad and Tobago folk music. In the beginning of the piece, listeners would hear wooden percussion instruments, brass instruments and drums, all of which works together to create a call and response pattern. This call and response recurs interchangeably between brass instruments, and brass instruments and voice. Similar to other songs performed by Olive Walke’s La Petite Musicale, the call and response from Santa Looking for a wife saturates the entire song. Overall, this piece offers an impressive range of instruments and gives a modern feel to Trinidad and Tobago folk music.

 

Alphonso Higgs (Blind Blake)- Goombay Rock


Last, but certainly not least is Blind Blake’s Goombay Rock, which is a musical treat that pushes the boundaries of Caribbean folk genres. Goombay Rock delightfully fuses elements of blues with elements of calypso. In the beginning of the song, a stringed instrument is the first heard. Following shortly after, are the voice, and percussive instruments including the drums, and what sounds like some kind of idiophone. The arrangement of the percussion instruments gives the song its connection to Olive Walke because this gives the piece its Calypso feel. However, the song has minor chords  and brass solo adlibs which give the music its Blues feel. 



Bibliography

Father of Bahamian Music. (2022).Grand Bahama Museum. https://www.grandbahamamuseum.org/new-to-the-museum/blind-blake


Gangelhoff, C., LeGrand, C. (2019) Tour de force: A musical journey of the Caribbean. Sound Caribbean. https://online.vitalsource.com/reader/books/9789769624900/epubcfi/6/2[%3Bvnd.vst.idref%3DTour_deForce_epub_8.16.19-1]!/4[Tour_deForce_epub_8.16.19-1]/2[_idContainer000]/2%4050:7


 Masterclass. (2021). Calypso music guide: A brief history of calypso music. MasterClass.https://www.masterclass.com/articles/calypso-music-guide#3lRPgTJQJLDP61ORGXcSjW

 Schuller, G. (2024). Jazz music. Britannica. https://www.britannica.com/art/jazz






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